Keynote Lecture at Middle Georgia State College's "Beyond the Margins" Conference.
I am an Assistant Professor of English at the New York Institute of Technology. Previously, I held a Marion L. Brittain Postdoctoral Fellowship at the Georgia Institute of Technology, the N.E.H. Post-Doctoral Fellowship in Poetics at Emory University's Fox Center for Humanistic Inquiry, and taught at Agnes Scott College. I received my Ph.D. in English from the University of Washington and my B.A. in English from Colgate University. My research and teaching interests include twentieth century literature, Anglo-American modernism, poetry and poetics, transnational literature, literary archives, composition, and the digital humanities.
My book, Annotating Modernism: Marginalia and Pedagogy from Virginia Woolf to the Confessional Poets (Routledge, forthcoming), addresses writers' reading of modernism before and after the Second World War by analyzing writers' personal copies of modernist texts, student notes, and teaching materials. I discussed this project with Dr Dennis Duncan for his Paratexts Podcast series at Oxford University's Bodleian Library. You can listen to the podcast here.
My book, Annotating Modernism: Marginalia and Pedagogy from Virginia Woolf to the Confessional Poets (Routledge, forthcoming), addresses writers' reading of modernism before and after the Second World War by analyzing writers' personal copies of modernist texts, student notes, and teaching materials. I discussed this project with Dr Dennis Duncan for his Paratexts Podcast series at Oxford University's Bodleian Library. You can listen to the podcast here.
I have also edited the collection, This Business of Words: Reassessing Anne Sexton (UP of Florida, 2016). For Sexton, becoming a successful poet meant skillfully approaching various forms of media and developing strategies for teaching, critiquing poems, delivering poetry readings, and giving interviews. The five poets and five critics in This Business of Words examine Sexton’s industry and her industriousness. This volume considers the development of Sexton’s aesthetic, her reception, and the allure of her poetry in the twenty-first century.
Since 2010, I have been the Book Review Editor for Woolf Studies Annual. Please contact me if you are interested in reviewing a book or are an author or publisher who would like to have a book reviewed.
Since 2010, I have been the Book Review Editor for Woolf Studies Annual. Please contact me if you are interested in reviewing a book or are an author or publisher who would like to have a book reviewed.
