With my students, Rebekah Geevarghese and Uzma Patel
Brittany Vonknsky Presenting her project from my Women, Technology, and Art class https://www.nyit.edu/events/source
 Organized by the James Joyce Society, $7 for non-members
Poetics and Annotation 1:45 PM–3:00 PM Saturday, Jan 5, 2019 Hyatt Regency - Columbus EF Session Information Description: Panelists explore annotations across historical periods, asking what marginalia, footnotes, and other such paratexts can tell us about the dialogic spaces they create, the development of the lyric, and past and current reading practices. Considering both published and unpublished annotations, speakers also think through the challenges and possibilities of annotation in the digital age. Presider Alexandra Socarides, U of Missouri, Columbia Speakers Amanda Golden, New York Inst. of Tech. Ian Cornelius, Loyola U Chicago Linda K. Gregerson, U of Michigan, Ann Arbor Meredith Martin, Princeton U Jeff Strabone, Connecticut C Tags Forum Sessions GS Poetry And Poetics 
Paperback launch of This Business of Words: Reassessing Anne Sexton with readings by Deirdre Coyle, Jeanne Marie Beaumont, and Briallen Hopper at Berl's Brooklyn Poetry Shop on November 28, 2018.
This Business of Words: Reassessing Anne Sexton (2016) has been published in paperback by the University Press of Florida.  University Press of Florida Booth, Modernist Studies Conference, 2018.
You can read the cluster here.
   From Mina Loy: Navigating the Avant-Garde Modernist Studies Association Conference, Columbus, OH November 2018
“Feminist Designs: Visualizing the Future of Modernist Digital Humanities” This roundtable considers the diversity and accessibility of feminist modernist digital humanities, engaging topics ranging from prototyping to pacifism. Attending to experiments in research and teaching, the panelists will address the feminist future of digital modernist scholarship. Presenters Amardeep Singh (Lehigh University) Suzanne Churchill (Davidson College) Margaret Konkol (Old Dominion University) J. Ashley Foster (California State University at Fresno) Amanda Golden (New York Institute of Technology) Organizer, Amanda Golden Chair, Shawna Ross (Texas A & M University)  Infographic by former ICLT 331 student ICLT 331: Women, Technology, and Art
Summer 2018, Session III (Online) Fall 2018 (Blended), Old Westbury Campus This course takes the nature of experiment as its subject, considering such topics as the art of the novel, poetic form, science fiction, visual art, graphic narratives, and the tech industry. Our case studies begin with two college students, Sylvia Plath’s aspiring writer in her novel The Bell Jar (1963) and Nnedi Okorafor’s STEM heroine in her Afrofuturist novel Binti (2015). We then turn to film adaptations of Mary Shelley’s classic novel Frankenstein (1818), Alison Bechdel’s graphic novel Fun Home: A Family Tragicomic (2006), and avant garde poetry and aesthetics from Mina Loy and Laurie Anderson to Cecilia Vicuña. We will also survey the state of gender in the tech industry from Gamergate and Maker Culture to organizations like FemTechNet and Girls Who Code, and discuss The Internet of Women (2016), a collection of essays co-edited by NYIT’s Dean of the School of Engineering and Computing Sciences, Dr. Nada Anid. Students in this course will write essays, contribute to a course blog, and complete digital projects. |
AuthorAmanda Golden is an Assistant Professor of English at the New York Institute of Technology. She is the author of Annotating Modernism: Marginalia and Pedagogy from Virginia Woolf to the Confessional Poets (Routledge, forthcoming) and editor of This Business of Words: Reassessing Anne Sexton (UP of Florida, 2016). Her research and teaching interests include American and British literature from the nineteenth century to the present, modernism, poetry and poetics, literary archives, composition, and the digital humanities. Archives
April 2019
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