AMANDA GOLDEN
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"Evidence for Pedagogy: Sylvia Plath and Ted Hughes Annotating Crime and Punishment" at MLA 2015

4/1/2014

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PictureEmory Manuscript, Archives, and Rare Book Library
I will be presenting "Evidence for Pedagogy: Sylvia Plath and Ted Hughes Annotating Crime and Punishment" on the International Dostoevsky Society's panel, "New Approaches to Crime and Punishment," organized by Susan McReynolds (Northwestern University) at the 2015 Modern Language Association Convention in Vancouver, B.C. Further treatment of Plath and Hughes's marginalia and teaching will be in my forthcoming book Annotating Modernism: Marginalia and Pedgagogy from Virginia Woolf to the Confessional Poets (Ashgate 2015). 

Here is a brief abstract of my talk:

While she was teaching first year English at Smith College in 1958, Sylvia Plath annotated a Penguin paperback copy of Fyodor Dostoevsky’s Crime and Punishment (1866), which she then handed to her husband Ted Hughes to use when he taught the novel in his Great Books course at the University of Massachusetts, Amherst. This copy of Crime and Punishment, housed with Hughes's library at Emory University, records their pedagogical engagement with the novel and its midcentury critical reception. As a reader, Hughes did not share Plath’s tendency to annotate his books and his response may have even surprised Plath. When her classmate at Newnham College had the audacity to add notes in pencil to one of the books Plath had annotated, she was outraged, “feeling my children had been raped, or beaten by an alien” (Unabridged Journals of Sylvia Plath 226). Hughes proceeded to fill the entire novel with his own notes in black ink, pencil, and sometimes red pencil. In order to be thorough, at times he repeated points Plath had made or, in at least one instance, he underlined her comments and added his own. While Plath’s annotations engage midcentury critical interpretations of the text, Hughes’s notes suggest his adaptation of academic practices for his own purposes. As he made his way through the novel, Hughes wrote in available spaces, often adding brief remarks above Plath’s underlining and at the top of pages. The practicality of Hughes’s annotations provided a form of shorthand for teaching that also speaks to his approach to poetry. While Hughes desired to maintain his distance from academia throughout the rest of his career, this copy of Crime and Punishment records some of the ways that his interpretation of language, literature, and pedagogy existed in close proximity to Plath's marginalia and the critical contexts informing it. 

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    Amanda Golden is an Associate Professor of English at New York Institute of Technology. She is the author of Annotating Modernism: Marginalia and Pedagogy from Virginia Woolf to the Confessional Poets (Routledge, 2020) and editor of This Business of Words: Reassessing Anne Sexton​ (UP of Florida, 2016). Her research and teaching interests include American and British literature from the nineteenth century to the present, modernism, poetry and poetics, literary archives, composition, and the digital humanities.

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  • Home
  • Teaching
    • African American Literature from the Harlem Renaissance to the Digital Present
    • Digital Woolf
    • Victorian Technology and Art
    • Global Digital Modernisms
    • FCWR 101: College in the Digital World
    • ICLT 331: Women, Technology, and Art
    • FCWR 101: Apple and Microsoft: 1975 to the Present
    • FCWR 151: Writing New York
    • ICLT 330 Global Literature and Digital Culture
    • Reading New York
  • Research
    • Annotating Modernism: Marginalia and Pedagogy from Virginia Woolf to the Confessional Poets
    • This Business of Words: Reassessing Anne Sexton
    • Sylvia Plath Map of Northampton
    • Sylvia Plath's Library
  • Curriculum Vitae
  • News and Events