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In her presentation "The CODEBREAKER: Edith Rickert, Virginia Woolf and Modernist Intrigues," the Australian artist and scholar Suzanne Bellamy argues that Rickert's research at the University of Chicago in the 1930s presents an early version of twenty-first century digital approaches to Woolf's fiction. In the clip below from Bellamy's recorded presentation for the Annual Conference on Virginia Woolf in the beginning of June, Bellamy cites the Mapping Jacob's Room project from my English 1102 "Digital Woolf" course at Georgia Tech. You can learn more about Bellamy's art and work here.
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Amanda Golden is an Associate Professor of English at New York Institute of Technology. She is the author of Annotating Modernism: Marginalia and Pedagogy from Virginia Woolf to the Confessional Poets (Routledge, 2020) and editor of This Business of Words: Reassessing Anne Sexton (UP of Florida, 2016). Her research and teaching interests include American and British literature from the nineteenth century to the present, modernism, poetry and poetics, literary archives, composition, and the digital humanities.
July 2020
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